從格式塔意象再造看漢語(yǔ)散文翻譯的審美再現(xiàn)—以張培基英譯散文為例

1、西北師范大學(xué)碩士學(xué)位論文從格式塔意象再造看漢語(yǔ)散文翻譯的審美再現(xiàn)—以張培基英譯散文為例姓名：張軍歷申請(qǐng)學(xué)位級(jí)別：碩士專業(yè)：英語(yǔ)語(yǔ)言文學(xué)指導(dǎo)教師：趙登明2009-05iiAbstract Prose, enjoying the reputation of “aesthetic writings”, is regarded as “art of language” and “art of emotion”，which is refined

2、and concise in language, free and flexible in style and affluent and diverse in artistic image. Every piece of prose as a holistic work of art is the high integration of words, images, meanings and structures. It is also

3、 a complex imagery system. The thesis is intended to make a tentative study on aesthetic representation of Chinese prose translation from the perspective of image-G actualization proposed by Prof. Jiang Qiuxia through an

4、alyzing the examples from versions in Selective Modern Chinese Prose Writings rendered into English by Zhang Peiji. The aesthetic representation in translation is to embody the aesthetic experience processed by the aest

5、hetic subject from the S-text in the T-text. Image-G is formulated mentally when the translator grasps the S-text holistically and achieves the unified aesthetic experience of certain artistic image. The translator has a

6、n understanding of the S-text in the operation of both linguistic cognition and aesthetic experience, formulates the image-G in his mind, and then actualizes the image-G linguistically in the T-text. Thus, the linguistic

7、 meaning and aesthetic significance of the S-text can be appropriately represented. Actualizing the image-G means the effective transference of unified aesthetic experience. From the perspective of image-G actualization

8、and by means of examples, the thesis first explores the essential meaning of aesthetic representation of Chinese prose translation and its aesthetic standard. Besides, it analyzes the interaction between the whole and th

9、e parts in aesthetic representation of Chinese prose translation and elucidates its aspects according to the general characteristics of Chinese prose and its high integration of words, images and meanings as well as stru

10、ctures. Finally, it provides some fundamental suggestions for the translator in aesthetic representation of Chinese prose translation. The thesis reaches the conclusions as follows: First, the aesthetic representation of

11、 Chinese prose translation is essentially the linguistic actualization of image-G so that the aesthetic qualities and linguistic meanings can be represented in a whole sense and the higher aesthetic equivalence rather th

12、an the linguistic correspondence or partial aesthetic effect correspondence can be achieved, which facilitate the target reader to have a similar aesthetic experience as the source language reader reads the original. Se