從解構(gòu)主義視角看譯者主體性——洛麗塔兩個(gè)漢譯本的個(gè)案分析

1、沈陽師范大學(xué)碩士學(xué)位論文從解構(gòu)主義視角看譯者主體性——《洛麗塔》兩個(gè)漢譯本的個(gè)案分析姓名：張悅申請學(xué)位級別：碩士專業(yè)：外國語言學(xué)及應(yīng)用語言學(xué)（翻譯）指導(dǎo)教師：史國強(qiáng)20100101ivAbstract A translator is the main body of translation, and the subjectivity is becoming a hot topic in translation study. In tra

2、ditional translation theory, the translator is defined as the “servant”, and translation is regarded as the transfer on the language level. Translation study mainly focuses on how to translate and how to translate well,

3、which neglects the translator’s subjectivity and creativity. The profound discussions on translator’s subjectivity only focus on exterior factors such as the translator’s role in the cultural communication and the ideolo

4、gical influence on the translator. While there is little attention paid to how the translator influences the translation with his/her intrinsic factors. Deconstruction, which is the representative of postmodernism, liber

5、ates the translator to a great extent and defines the concept of translator’s subjectivity in literary translation. This thesis holds a positive view of deconstruction’s translation theory, defines the concept of transla

6、tor’s subjectivity in literary translation，and analyzes various forms of translator’s subjectivity as well as the factors restricting them. Vladimir Nabokov’ Lolita is considered as one of the finest novels written in th

7、e 20th century, playing an important role in the history of modern literature. This masterpiece has been translated into many languages since it was published and its popularity is still on the rise. There are nearly twe