改寫理論關照下的西風頌三中譯本研究

1、合肥工業(yè)大學碩士學位論文改寫理論關照下的《西風頌》三中譯本研究姓名：梁娟申請學位級別：碩士專業(yè)：英語語言文學指導教師：韓江洪2011-05II A Comparative Study of Three Versions of Shelley's Ode to the West Wind in Light of Rewriting Theory ABSTRACT This paper endeavors to make a

2、detailed and comparative study of three Chinese versions of Ode to the West Wind(Guo Moruo in 1926,Zha Liangzheng in 1958 and Jiang Feng in 1980) under the guidance of Lefevere’s innovative Rewriting Theory. According

3、to Lefevere, the prominent translation scholar, ideology and poetics, to some extent, will definitely exert enormous influence upon the translation process and product as well. To be specific, during the course of tran

4、slation, the ideology and poetics will exert influence upon the translator’s adoption of certain translation strategies to some extent. Different translation strategies will bring out the discrepancy of the translation

5、style. In a word, the style of the rendition has the delicate relationship with both ideology and poetics. Based on the previous detailed and delicate analysis, we can summarize the stylistic features of the Chinese ver

6、sion respectively. In terms of the treatment of the original form, Guo Moruo preferred free verse. It is in accordance with his advocacy“ hates form most ”and insists on “absolute and extreme freedom”. As for Zha Liangzh

7、eng, his version is more faithful in this regard. This treatment has a lot to do with individual translation theory. Jiang best transfers the original line form by using more run—on lines in his translation. As a whole,

8、the sentence pattern is strict but full of alterations. This can be attributed to his advocacy that rewriting should be strictly based upon the original. In terms of the rhyme scheme and rhythm, Guo’s version is basical

9、ly not rhymed. Guo Moruo’ s individual poetics ,to be specific, the advocacy of the internal rhyme can best explain this point. By comparison, Zha faithfully maintains the original rhyme pattern, which has a lot to do w

10、ith his translation theory. Comparatively speaking, the sound effect in Jiang’ s version is most fluent and harmonious. In terms of handling of the artistic conception, Guo is the bravest one since he is not bounded by