嗜奇好古寂寥冬心——淺析金農(nóng)藝術(shù)特色的繼承與創(chuàng)新.pdf

1、 曲阜師范大學(xué)研究生學(xué)位論文原創(chuàng)性說明 （根據(jù)學(xué)位論文類型相應(yīng)地在“□”劃“√”） 本人鄭重聲明：此處所提交的博士□/碩士□論文《嗜奇好古 寂寥冬心——淺析金農(nóng)藝術(shù)特色的繼承與創(chuàng)新》，是本人在導(dǎo)師指導(dǎo)下，在曲阜師范大學(xué)攻讀博士□/碩士□學(xué)位期間獨(dú)立進(jìn)行研究工作所取得的成果。論文中除注明部分外不包含他人已經(jīng)發(fā)表或撰寫的研究成果。對本文的研究工作做出重要貢獻(xiàn)的個人和集體，均已在文中以明確的方式注明。本聲明的法律結(jié)果將完全由本人承擔(dān)。 作者簽

2、名： 日期： 曲阜師范大學(xué)研究生學(xué)位論文使用授權(quán)書 （根據(jù)學(xué)位論文類型相應(yīng)地在“□”劃“√”） 《嗜奇好古 寂寥冬心——淺析金農(nóng)藝術(shù)特色的繼承與創(chuàng)新》系本人在曲阜師范大學(xué)攻讀博士□/碩士□學(xué)位期間，在導(dǎo)師指導(dǎo)下完成的博士□/碩士□學(xué)位論文。本論文的研究成果歸曲阜師范大學(xué)所有，本論文的研究內(nèi)容不得以其他單位的名義發(fā)表。本人完全了解曲阜師范大學(xué)關(guān)于保存、使用學(xué)位論文的規(guī)定，同意學(xué)校保留

3、并向有關(guān)部門送交論文的復(fù)印件和電子版本，允許論文被查閱和借閱。本人授權(quán)曲阜師范大學(xué)，可以采用影印或其他復(fù)制手段保存論文，可以公開發(fā)表論文的全部或部分內(nèi)容。 作者簽名： 日期： 導(dǎo)師簽名： 日期： Abstract The human history of art is a continuation of the develop

4、ment of history, like a restless river. He recorded the process of human spiritual culture. In the history of art, we can find that, every artist to create their own unique artistic features. A time to bring forth the ne

5、w through the old, there must be a traitor to the art of identity, takes its essence, goes to its dregs, complete the innovation and development of their own in the first generation, artistic revolt at the same time, new

6、 creation which also contains the traditional inheritance, this is the artistic development of inheritance and creation. Law, also is the inner law of the art development. In Chinese art history has many people rely on t

7、he good grasp of inheritance and innovation, and finally become a typical representative of the era. Yangzhou eight strange in the gold farming is one of the most striking figure, he has done in two aspects of inheritin

8、g the tradition and artistic innovation efforts to the development of contemporary art, we leave the precious wealth. Achievements in calligraphy, painting, Jin Nong carving and other fields is be obvious to people, but

9、the pay is not the achievement at the same time of hard work. The gold farming life, can be said to wander, of no fixed abode, empty have a talent, but have no place to display. However, gold farming is a Xingqingzhongre

10、n, his life-long ambition experience, ideas, are integrated into their own works, in the paper, the generations is a profound knowledge and outstanding innovation spirit of the masters of the art. Modern studies of gold

11、farming art literature and many, especially in the gold farming life, artistic style, his original style of poetry books, paint etc.. In addition to gold farming in the era of the “Eight Wonders of Yangzhou“ this special

12、 art community phenomenon of many. But in the gold farmers painting style especially in the innovation of the research is less, this is mainly causes for Jin Nong in calligraphy, painting and seal cutting it from three a

13、spects of inheritance and innovation perspective to analyze the gold farming art style of our contemporary painting and calligraphy, especially the enlightenment and guidance of creation, man think this is the art of lea