情感與個(gè)性——論老莊哲學(xué)的藝術(shù)轉(zhuǎn)化

1、情感與個(gè)性 ——論老莊哲學(xué)的藝術(shù)轉(zhuǎn)化 Emotion and Personality ——The path Lao-tzu and Chuang-tzu’s philosophy was transferred into art theory 研究生姓名：聶春華 院系：中文系 專業(yè)： 文藝學(xué) 年級(jí)：2000 級(jí) 導(dǎo)師姓名：於賢德 職稱：教授 論文答辯日期：2003 年 3 月Abstract Some b

2、asic ideas of Lao-tzu and Chuang-tzu’s philosophy such as Tao,Chi,Spirit,Xinzhai and Zuowang had a continuous resonance in Wei ,Jin and the Southern and Northern Dynastics’art.However,these philosophical concepts weren

3、’t directly artistic ones.The sublation of Wei,Jin and the Southern and Northern Dynastics’art theory primarily comprised two aspects:one is to establish the main part of emotion of art viewpoint and give up Lao-tzu and

4、 Chuang-tzu’s asceticism;the other is to advocate free and lively spirit and rebuild Lao-tzu and Chuang-tzu’s theory of fostering spirit and maintaining void quietness. The sulation of these two aspects practically resul

5、ted in theories of aesthetic creation and appreciation which were based on “main part of emotion(mind)”and characterized Taoist theory.To this extent,along with the path which Lao-tzu and Chuang-tzu’s philosophy transfer