20世紀(jì)中國大陸流行歌曲中的民間音樂元素研究.pdf

1、南京師范大學(xué)碩士學(xué)位論文20世紀(jì)中國大陸流行歌曲中的民間音樂元素研究姓名：葉姍姍申請學(xué)位級別：碩士專業(yè)：藝術(shù)學(xué)；音樂學(xué)指導(dǎo)教師：蒲亨強(qiáng)2009-06-02Abstract IIAbstract In this paper, will make analysis and research of phenomena that pop-music absorb elements and learn from folk-music in 20t

2、h century China. Now in the music field, is lack of systematic and theoretical analysis between pop-music and folk-music in China. To address the issue, the paper will make a systematic and inclusive study of absorption

3、of folk-music by pop-music. Learn from the relationship between pop-music and folk-music, and combination of history, from way to creative, expression format and style of aesthetic, to demonstrate that pop-music absorb m

4、any elements from folk-music in China. In addition to the introduction and conclusion, the full text is divided into three chapters. In first chapter, from a historical perspective, according to the way that pop-music cr

5、eating and relationship with folk-music, pop-music in the entire 20th century is divided into five periods: “Combining of Chinese and Western “, “Combining of Chinese and Western plus folk-music tunes adapted“, “Developm

6、ent of theme of folk-music“, “Characteristics of tone“ and “Diversified period”. In each different period, the way that pop-music absorbs elements from folk-music is different. Start from Li Jinhui absorbed the tones of

7、folk-music, then recompose of folk-music in Shanghai period, and development by Educated Youth period. To the “Northwest Wind“ period, composers began to absorb the specific tones of folk-music to create productions. Unt

8、il 90's, pop-music absorbed diversities elements from folk-music. The absorption is a process that from simple to complex, and from single to diversity. By compare of pop-music and folk-music in Chapter II, summarize

9、 three ways that composers creative pop-music production: the first one is recomposing prototype of traditional tones, the second is to absorb elements from the traditional tones, the last one is to be integrated to crea

10、te a new style. In Chapter III, from the music and aesthetic point of view, analyse the relationship between pop-music and folk-music. By some typical cases, make a summarization of how folk-music’s tones, rhythm and ext

11、ra words used in pop-music. Through the summary of aesthetic style of folk music of the “new, real, live“ and then compared with the pop-music, find the links between them. Due to vast territory and large population in C