二十世紀(jì)中國(guó)意筆人物畫的現(xiàn)代化.pdf

1、河南大學(xué)碩士學(xué)位論文二十世紀(jì)中國(guó)意筆人物畫的現(xiàn)代化姓名：李芃申請(qǐng)學(xué)位級(jí)別：碩士專業(yè)：美術(shù)學(xué)指導(dǎo)教師：丁中一2003.5.1AbstractTakingtheChinesefreehandfigurepaintingin20t“centuryastheresearchobject，thepaperauthenticallymakesaportraitandanalysisofgeneralsituationandcharacteristi

2、csofitsdevelopmentfromtraditiontomodemityinthestage，relationshipbetweenmodemChinesefieehandfigurepaintingandthegreatsocialculturalbackgroundbyadoptingresearchmethodsoffineartshistoryandotherrelevantareasforreference，phil

3、osophyaesthetics，sociologytOnameafewMoreoveremployingtheobjectivelawoftheartdevelopmentthepaperattemptstoprovethatartisacreativeproductionofaraThisisalsoaconclusiondrawnaRercarefullyrethinkingtheexistenceanddevelopmentof

4、modemChinesefigurepaintinginthearticleIntroduction，bodyandconclusionmakeupthisarticleBodyconsiststhreesectionsThefastsectiondiscussesthebackgroundconditionofChinesefreehandfigurepaintingduringmodernization，andmakesananal

5、ysisofthetraditionalChinesefreehandfigurepaintingwhichdeclinedtOaterminalearlyin20thcenturyneanalysisismademainlyfromtwoaspects：theexternalrestrictionandselfdisciplineoftheartsdevelopmentForonething，changeofthegreatcultu

6、ralbackgroundrequiresandimpelstheinnovationoftraditionalChinesefreehandfigurepainting，whichisprovedbythesocialrestrictionofart’SdevelopmentTheinternalreasonisthedownfallofthefeudalsocietyonwhichtheexistenceoftraditionalC

7、hinesefreehandfigurepaintingrelied，andtheallroundcrisisbrewbycontradictionbetweenfeudalcultureandsocialdevelopment；andtheexistencereasoniscollapseoftheinherentsystematizedtranquilityoftraditionalChinesepainting，astheresu

8、ltofthecollisionwithforeignculturesForanotherdefectionoftraditionalChinesefreehandfigurepaintingcallsforanabove—historybreakthroughstrongly，whichisprovedbytheselfdisciplineoftheart’Sdevelopment‘‘Defectionandshortcharm’’o