以伯爵夫人的詠嘆調(diào)管窺莫扎特歌劇《費(fèi)加羅的婚禮》.pdf

1、武漢音樂學(xué)院碩士學(xué)位論文以伯爵夫人的詠嘆調(diào)管窺莫扎特歌劇《費(fèi)加羅的婚禮》姓名：郭一靜申請(qǐng)學(xué)位級(jí)別：碩士專業(yè)：音樂學(xué)指導(dǎo)教師：賀磊明汪申申20090601武漢音樂學(xué)院碩士研究生學(xué)位論文郭一靜以伯爵夫人的詠嘆調(diào)管窺莫扎特歌劇《費(fèi)加羅的婚禮》AbstractMozart，thegreatmasterinthemusichistoryleft600worksinhisshortlifeHiscompositionswhichhaveanamaz

2、ingnumberofmasterpiecesincludealmostallthemusicgenresInMozart’Smusic，theoperaisthemainformofgenreSofarmanyofhisoperasarestillbeingshownonstageinlongprosperitywiththeextremelystrongvitalityanumberofariasinhisoperahavealso

3、becometheindispensablerepertoireinvocalteachingandavarietyofvocalCompetitionThepaperusestheCountess’StwoariasasthebreakthroughpointanddeeplyanalyzesMozart’comicopera《三Pnozzo講Figaro))Thisoperawithothertwoopera((DonGiovann

4、i))、((Cosifantune))havebeencalledthethreecomicoperasofMozart，however，thereisonlyonerolewhichstillrepresentsthecharacteristicofoperaseriainthisdramaTherolewhichisstillthemostspecialoneandmostdifficultonetograspisthecounte

5、sswhichhasacarefulanalysisinthispaper《三Pnozzo疥Figaro))focusesmoreontheintrapersonalportraitofthecharacterandtheembodimentofthepersonalitythananypreviousworksThecountessisallexample，theariaswhichshesingsarestillfullofstre

6、ngthwithgriefandconvincinglyhighlighttheheroine’Spassivefeelingsofpainandcontradiction，thestyleistotallydifferentfiomthecolorofthewholeoperaItispreciselybecauseoftheimportantpositionoftheCountess’Sroleinthisdramaaswellas