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1、中南民族大學(xué)碩士學(xué)位論文立象以盡意:試析漢字符號(hào)的美學(xué)生成姓名:崔狄生申請(qǐng)學(xué)位級(jí)別:碩士專業(yè):文藝學(xué)指導(dǎo)教師:胡家祥20060510三峽 一個(gè)詩歌富礦的文化解讀 II Abstract Abstract This thesis defines the “image“ category in the Chinese traditional culture as three levels, namely the image of thin

2、king, the image of medium (material) and the image of the concrete art practice. From here, the traditional setting question of setting up image of “Setting up image helps out conveying meaningcorrespond includes three l

3、evels: setting up thinking image, setting up medium(material) image and setting up the image of concrete art practice. And three levels in, which has always made to lead a function is the elephant of thinking, namely usu

4、ally being called ofimage“ thinking. The completed formation of“ imagecategory depends on the mature development of these three levels. It accumulated the thinking habit and the consciousness of appreciating beauty befor

5、e writing in the Chinese characters sign. And the concrete realization of“ imagecategory lives in the rule of the construction and the usage of the Chinese characters sign. So, the born process of the Chinese c

6、haracters can reflect the mature process of three levels ofimage“ category. This thesis is divided into a top and bottom two, total four chapter. The preceding two chapters lay particular emphasis on discussing the first

7、 and second levels, having a source characteristic of explore. Next two chapters lay particular emphasis on the third level, launching to appreciate beauty of the Chinese characters in the meantime. Chapter 1 f

8、irstly discusses the esthetics meaning of the source explore of Chinese characters by thinking “the natural person turn“ and the accumulation of the race thinking in the formality, and cross-examining the essence categor

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