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1、編 號: 碩士學位論文 碩士學位論文 題 目:哈貝馬斯交往理論與美學建構的理論探索 培 養(yǎng) 單 位: 文 學 院 專 業(yè) 名 稱: 文 藝 學 指 導 教 師: 孫 殿 玲 研 究 生: 張 守 巖 完 成 時 間: 2012-5-27 沈陽師范大學研究生處制 類 別 全日制研究生 √ 教育碩士 同等學力 哈貝馬斯交往理論與美學建構的理論探索 II Abstract The new Aesth

2、etic construction is one of the important subjects of current academic research. There are different views about how to construct a new Aesthetics. From the previous theoretical construction experience, we know that if w

3、e want to create a new Aesthetic system, we can’t cut off the history and not work behind closed doors. So the Aesthetic construction should not only reflect the Nationality, but also the Modernity. Therefore, the new Ae

4、sthetic construction should learn from the advanced concepts and methods to of Western culture. In the academic study of western Aesthetics, Habermas's Sociological and Philosophical theories provide lots of powerful

5、 resources for the new Aesthetic system. Many academic theories of Habermas, in particular the theory of communicative action, have a huge potential aesthetic value and a strong methodological significance. Therefore, th

6、e excavating and interpreting the potential aesthetic value of Habermas' theory of communicative action is a meaningful work. So is the exploration of the Aesthetic construction. By studying the Intersubjectivity The

7、ory, Life Word Theory, Speech Communication Theory and Communicative Rationality, this article does a basic exploration from the subject, background, media, and norms of the Aesthetic construction. This paper argues that

8、 the meaning of Habermas's theory of communicative action for the Aesthetic construction is that below. The Aesthetic construction is a communicative action. Habermas believes that the communication must break free

9、of the shackles of subjectivity and we should establish an interactive mode with each other in order to reach a consensus as the goal of intersubjectivity. It is an inspiration for us. As the subjects of Aesthetic constr

10、uction, we need maintain the intersubjectivity identity like the viewer, the builder and the interlocutor to experience and merge the Sensuous Beauty and Rational Beauty. Habermas also see the living world as an importan

11、t context of communicative action. In view of this, the Aesthetic construction, as a communicative action, should be also in the background context of the living world. It requires Aesthetic builders proactively involved

12、 to life to get rich and real aesthetic experience and interpreting of the beauty by this way close to life. On this basis, Habermas believes that verbal communication is the most direct and the most practical and the mo

13、st effective medium of communication. And the Aesthetic construction precisely requires a lot of aesthetic dialogue, which requires builders to see verbal communication as the main medium of aesthetic construction and to

14、 establish a correct concept of verbal communication. For these verbal communications, Habermas believes that the various factors and all the links need constrained by the rational norms to be able to achieve practical r

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