以畫(huà)談畫(huà)——視覺(jué)認(rèn)識(shí)在繪畫(huà)中的重要性及指導(dǎo)意義.pdf

1、西南師范大學(xué)碩士學(xué)位論文以畫(huà)談畫(huà)——視覺(jué)認(rèn)識(shí)在繪畫(huà)中的重要性及指導(dǎo)意義姓名：巫峽申請(qǐng)學(xué)位級(jí)別：碩士專業(yè)：美術(shù)學(xué)指導(dǎo)教師：馬一丹2003.5.1DiscussPictureswiththepicture——Import肌ceanddirectivesignificanceofvisionalrecognitioninpaintingMajor“FineArtSpecialty：oilpaintingTutor：MaYidanAuthor：

2、、ⅣhXiaAbstractArtitselfisthenaturaldevelopment，Itdevelopstheappearancetheappearanceatthepresent，thereiSnostandardanditisnaturaltooIfwewillreallysetupallevaluationcriterion，thisisnotagoodthingdefinitelytotheartisticcreati

3、onIfwegetridoftoomanythingsofindividualismandpragmatism，paintingisonestandardinfact，thereisabottom1ine，whichiSvisionAnypracticeofpaintermustbeverifiedthevision。Thepapercomeupwith“vision’，and“vision”isthestartingpointandn

4、aturalandthatwepaintIthinkthatIhavesolvedthecharacterofconcretionofrecognitionin“vision”andtheabstractnessof“Picture”“Vision”iSthecenterfocusofthispaperandtheclue，tooRemovetheworldofsensualpleasuresthatmixthegenuinewithf

5、ictitioustomakeouttheessenceofpainting“Therealisticeyesindifferenteyesaredifferent，andtherealitythatweseeisdifferentWatchingartistowatchtheimageindifferentartist，includingrealitypaintingorpaintingrealisticallyandthe‘‘tru

6、esceneandthing”inthephotographylensThesearedifferentasartistsaredifferentnerealityofthescenesandimagesdoesn’texist111evalueofartliesinthephenomenonandthingthathavechanged”(LiXianting)RealityofDifferentEyes”，therefore，int

7、ermsofvision，thepaperanalysesfactorsSuchasthecompositionofpicture111eonescanbetoldtobesimplerandmorepracticalKeywords：Vision，painting，abstraction，AuthenticityReason，SkillandtechniqueSubject，BehaviorRecognition，Picture，Bo