簡介：青島大學(xué)碩士學(xué)位論文論老舍小說對清代俠義公案小說藝術(shù)的繼承姓名張志軍申請學(xué)位級別碩士專業(yè)中國現(xiàn)當(dāng)代文學(xué)指導(dǎo)教師魏韶華20090606ABSTRACTMR．1AOSHE’SWORKSMOSTCLOSELYLINKWITHTHETRADITIONALFOLKNARRATIVELITERATUREINTHEHISTORYOFMODEMCHINESELITERATURE．HISWORKSDEMONSTRATETHECLOSECONTACTBETWEENTASTEFORLITERATUREANDARTISTICPRACTICESINTRADITIONALCHINESENARRATIVELITERATURE，INPARTICULARLEGALCASEINTHEQINGDYNASTYCHIVALROUSLITERATURE．LAOSHEWASFAMILIAR、析T11THETRADITIONALFOLKNARRATIVELITERATUREWHICHISDEEPLYLOVEDBYTHEMAJORITYOFPEOPLE．HEACCEPTED，INHERITEDANDTRANSFORMEDIT．ITSHOWSHISACCEPTORREJECTATTITUDESOFTHETRADITIONALNARRATIVELITERATURE．THISPAPERANALYZESTHREEASPECTSOFLAOSHE’SNOVELSWHICHARECHARACTERIZATIONARTS，NARRATIVEARTSANDLANGUAGEARTSINTHESUCCESSIONANDARTISTICCREATIONOFTHEQINGDYNASTYCHIVALROUSLITERATURE．INTHECHARACTERIZATIONARTS，WESTUDYFROMFOURAREASWHICHALETHEPERFORMANCESOFPEOPLETHROUGHEVENTS，THEACTIONSOFPOLARIZINGCHARACTERS，THETYPESOFCHARACTERS，THEPRACTICESOFGOODSHAPECONTRASTTHEEVILINHISNOVELS．INTHENARRATIVEARTS．WESTUDYFROMFIVEAREASWHICHARETHETHJRDPERSONPOINTOFVIEWS，DUALISTICMODEL，HAPPYENDINGS，ANDTHECENTERSOFTHESTRUCTURE，INACCORDANCEWITHTHEORDEROFMETHODS．INTHEINHERITANCEOFLANGUAGEARTS，WESTUDYFROMTHREEAREASWHICHARETHEPOPULAROFLANGUAGE，THEENTERTAINMENTOFLANGUAGE，THENARRATIVEOFTHELANGUAGE，THEPERSONALITYOFTHELANGUAGE，MIMICTHEVOICEOFTHELANGUAGE．TOSUMUP，WEWANTTORESEARCHINSUCHAREATOSHOWLAOSHE’NOVELS’TRADITIONALNATURE．KEYWORDSLAOSHE’SNOVELS；LEGALCASEINTHEQINGDYNASTYCHIVALROUSLITERATURE；THEARTOFFICTION；SUCCESSION

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簡介：姓名郭賽男學(xué)號2009020726電子郵箱MASHANGJIUGAI126COM聯(lián)系方式13658642522所在學(xué)院音樂學(xué)院獨(dú)創(chuàng)聲明本人聲明所呈交的學(xué)位論文是本人在導(dǎo)師指導(dǎo)下進(jìn)行的研究工作及取得的研究成果。據(jù)我所知，除了文中特別加以標(biāo)注和致謝的地方外，論文中不包含其他人已經(jīng)發(fā)表或撰寫過的研究成果，也不包含為獲得（注如沒有其他需要特別聲明的，本欄可空）或其他教育機(jī)構(gòu)的學(xué)位或證書使用過的材料。與我一同工作的同志對本研究所做的任何貢獻(xiàn)均已在論文中作了明確的說明并表示謝意。學(xué)位論文作者簽名導(dǎo)師簽字學(xué)位論文版權(quán)使用授權(quán)書學(xué)位論文版權(quán)使用授權(quán)書本學(xué)位論文作者完全了解學(xué)校學(xué)校有關(guān)保留、使用學(xué)位論文的規(guī)定，有權(quán)保留并向國家有關(guān)部門或機(jī)構(gòu)送交論文的復(fù)印件和磁盤，允許論文被查閱和借閱。本人授權(quán)學(xué)校學(xué)?？梢詫W(xué)位論文的全部或部分內(nèi)容編入有關(guān)數(shù)據(jù)庫進(jìn)行檢索，可以采用影印、縮印或掃描等復(fù)制手段保存、匯編學(xué)位論文。（保密的學(xué)位論文在解密后適用本授權(quán)書）學(xué)位論文作者簽名導(dǎo)師簽字簽字日期201年月日簽字日期201年月日

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簡介：東南大學(xué)博士學(xué)位論文論藝術(shù)作品個性的發(fā)生與發(fā)展姓名李祥文申請學(xué)位級別博士專業(yè)藝術(shù)學(xué)指導(dǎo)教師凌繼堯20110915東南人學(xué)博卜予位淪文英文摘要【TITLE】ASTUDYONTHEOCCURRENCEANDDEVELOPMENTOFPERSONALITYINARTWORKS【KEYWORDS】ARTWORKS；PERSONALITY；SUBJECT；OBJECT；STAGE【ABSTRACT】ARTSDEVELOPASHUMANSOCIETYDEVELOPS．HUMANPERSONALITIESCANBEFOUNDINARTWORKS．HOWEVER,HUMANPERSONALITIESDIDN’TOCCURINARTWORKSINMAN’SEARLYDAYS．INCHINAANDTHEWEST，THEDEVELOPMENTOFARTSCANBEDIVIDEDINTOFOURSTAGESWHICHARENATURALITYSTAGEOFARTWORKS，HUMANITYSOCIALITYSTAGEOFARTWORKS，OBJECTIVEPERSONALITYSTAGEOFARTWORKSANDSUBJECTIVEPERSONALITYSTAGEOFARTWORKS．INMAN’SEARLYDAYS，THECONTENTSOFARTWORKSWEREALWAYSRELATEDTOMAN’SEXISTENCEANDREPRODUCTION．AFTERMAN’SETHICALSYSTEMWASFOUNDED，THECONTENTSOFARTWORKSWEREALWAYSRELATEDTORELIGIONANDETHICS．WHENTHERELIGIOUSDOGMAWASBROKE，CHARACTERSOFPERSONALITIESANDOTHERTHINGSWHICHREFLECTEDMAN’SPERSONALITIESOCCURREDINARTWORKS．ASHUMANSOCIETYDEVELOPED，INDIVIDUALSHADMOREANDMORE仔EEDOM，ANDINDIVIDUALSATTHEBOTTOMOFSOCIETYCOULDJOINTHEUPPERCLASSTHROUGHTHEIROWNCAPACITIES．MEANWHILE，ARTISTS’OWNPERSONALITIESAPPEAREDINARTWORKS．【UNIVERSITY】SOUTHEASTUNIVERSITY

簡介：分類號I06密級UDC碩士學(xué)位論文論索爾仁尼琴早期小說的藝術(shù)特色學(xué)位申請人王平學(xué)科專業(yè)文藝學(xué)指導(dǎo)教師李小駒教授二○一四年五月三峽大學(xué)碩士學(xué)位論文I三峽大學(xué)學(xué)位論文原創(chuàng)性聲明本人鄭重聲明所呈交的學(xué)位論文，是本人在導(dǎo)師的指導(dǎo)下，獨(dú)立進(jìn)行研究工作所取得的成果，除文中已經(jīng)注明引用的內(nèi)容外，本論文不含任何其他個人或集體已經(jīng)發(fā)表或撰寫過的作品成果。對本文的研究做出重要貢獻(xiàn)的個人和集體均已在文中以明確方式標(biāo)明，本人完全意識到本聲明的法律后果由本人承擔(dān)。學(xué)位論文作者簽名日期

簡介：蘭州大學(xué)碩士學(xué)位論文論羅伯格里耶小說與電影中的藝術(shù)互滲現(xiàn)象姓名孫琳申請學(xué)位級別碩士專業(yè)比較文學(xué)與世界文學(xué)指導(dǎo)教師樊得生20100501蘭州大學(xué)碩士學(xué)位論文論格里耶小說與電影中的藝術(shù)互滲現(xiàn)象ABSTRACTSFRENCHLEFTBANKDIRECTORALAINROBBOGRILLETISALSOANNEWNOVELISTS．WHENHECREATEDANOVEL，HEOFTENAPPLIEDTHETHEORYANDARTISTICTECHNIQUESOFTHEFILM．CHOSENTHISMUTUALINFILTRATIONPHENOMENONOFROBBEGRILLET’SCREATIONONNOVELSANDFILMSASSTUDYOBJECT,NLISPAPERANALYZEDTHECHARACTEROFIMAGEINROBBECRRILLCT’S_MATERIALIZATIONNOVDS’ANDLITERARYFACTORSINFILMS，WITHTHEDEEPDISCUSSIONONHOWPHENOMENOLOGYPLAYEDAPERCEPTUALGUIDANCEINTHEPROCESSOFPICTORIALIZATIONOFROBBEGRILLET’S、、MATERIALIZATIONNOVELS’，ANDHOWLITERARYNOTIONOFNOUVEAUROMANPLAYEDAIDEATIONALGUIDANCEINTHEPROCESSOFINNOVATIONOFARTISTICMEANSINROBBEGRILLET’SFILMS．THETHESISISDIVIDEDINTOINTRODUCTION,BODYANDCONCLUSIONTHREEPARTS．11LCIN．EDUCTIONBRIEFLYRECOMMENDEDTHEDOMESTICRESEARCHSTATUSQUOONTHEPHENOMENONOFARTSMEANSMUTUALINFILTRATIONOFGRILLET’SNOVDSANDFILMS．ANDTHETEXTWASINTHREEPARTS，N屺FIRSTPARTSTARTEDFROMROBBEGRILLET’SACADEMICBACKGROUND，ANDFIRSTLYINTRODUCEDTHEHISTORICALBACKGROUNDANDREPRESENTATIVESOFNOUVEAUROMAN,INWHICHFOCUSEDONTHEDISCUSSIONOFNOUVEAUROMAN’STHEORIESANDTHEINNOVATIONSOFARTISTICMEANSOFNOUVEAUROMAN’SNOVELS．AFTERTHEN1WOULDEXPLAINTHEREASONFORTHEPROSPEROUSOFFRENCHFILMS，F(xiàn)OCUSEDONTHEDISCUSSOFTHECONCELLLLEFTBANKDIRECTORSHOWCONSCIOUSNESSANDUNCONSCIOUSNESS，ANDTHEANALYSISOFTHEAESTHETICPRINCIPLESANDENGLISHSTYLEIRILTOROFNOUVEAUROMAN．111ESECONDPARTWASMAINLYPROCEEDINTHEORETICALREPRESENTATION，WHICHISCONSTITUTEDBYTHETWOPLATES．硼的SECTIONOF”MATERIALIZATIONOFTHENOVELWORLD“CONCLUDEDINTHEDUALINFLUENCEOFMATERIALIZATIONTHEORYANDPHENOMENOLOGYGRILLET’SNOVELSCLEAREDUPTHENDEPTH”BUILDINGSOFTRADITIONALNOVELSWITHTHEPICTORIALIZATIONANDFRAGMENTATIONOFOBJECTS，BYTHECONTRASTOFREALISTNOVELSIN19THCENTURYANDROBBEGRILLET’SDOUBLE”MATERIALIZED”NOVEL．INTHESAMETIMEGRILLETRECONSTRUCTEDAKINDOFNOVELWITHFILMCHARACTERINTHEWAYOFBLOWINGUPTHECENTERANDSMASHINGSECTIONSWHICHISSIMILAR謝MDISPOSITIONOFTHEFILM．ANDTHEPARTOF”LITERATUREOFTHEFILMWORLD”REACHEDACONCLUSIONWHENGRILLETINTRODUCEDPOLYTONALITYANDALIENATIONEFFECTSINTOHISFILMS，INACTUALLYHEHADSUCCESSFULLYSUBVERTEDTHETRADITIONALIDEAABOUT蚺NEWNOVEL”INTHEFILMFIELD．BYTHECONTRASTOFTHECLASSICHOLLYWOODTRADITIONFILMSANDTHEPERSONALIZEDSTYLEOFROBBEGRILLET’SⅡ

簡介：周敏論曾梵志人物畫藝術(shù)特色目錄中文摘要????????????????2ABSTRACT．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．3引言?????????????????4第一章曾梵志表現(xiàn)主義繪畫形成的背景???????7第一節(jié)畫家個人的性格特征????????????．．7第二節(jié)藝術(shù)創(chuàng)作的時代背景????????????．．8第三節(jié)表現(xiàn)主義手法的影響????????????．．9第二章曾梵志人物畫的創(chuàng)作分類及其代表作?????．．11第一節(jié)協(xié)和醫(yī)院系列??????????????．11第二節(jié)面具系列???????????????．．14第三節(jié)肖像畫系列???????????????22第三章曾梵志人物畫價(jià)值以及對后世的啟示???????26第一節(jié)曾梵志人物畫的價(jià)值及地位??????????．26第二節(jié)曾梵志人物畫對于后世的啟示?????????．．29結(jié)語????????????????????．．32參考文獻(xiàn)???????????????????33致謝????????????????????．．35攻讀學(xué)位期間發(fā)表的學(xué)術(shù)論文目錄??????????．36揚(yáng)州大學(xué)學(xué)位論文原創(chuàng)性聲明和版權(quán)使用授權(quán)書?????．．37周敏論曾梵志人物畫藝術(shù)特色ABSTRACTINTHESUMMEROF1913，COHENARTSALONORGANIZEDTHEEXHIBITIONENTITLED‘RHINEEXPRESSIONISTARTISTS’，WHICHISTHEFIRSTAPPEARANCEOFTITLEWITH‘EXPRESSIONISTARTIST’INTHEGERMANYARTHISTORY．WITHTHEINFLUXOFWESTERNEXPRESSIONISMTHOUGHTS，CHINESEPAINTERSWEREPROMPTEDTOFURTHERSTRENGTHENTHEEXPLORATIONANDSTUDYOFCHINESEEXPRESSIONISTPAINTING．BORNINTHE1960S，F(xiàn)ANZHIZENGEXPERIENCEDCHINESEDRAMATICANDCOMPLEXSOCIALCHANGESTHROUGHHISLIFE．USINGTHEEXPRESSIVEPAINTINGLANGUAGEINTHEARTFIELDHEPROFOUNDLYEXCAVATEDPEOPLE’SPSYCHOLOGICALINFLUENCEUNDERPINSTHERAPIDDEVELOPMENTINCHINESESOCIETY．ZENG’SWORKSARESIMPLE，BUTFULLOFIMPACTSANDSTORIESINSIDE．THESEWORKSWERETHEEXACTREFLECTIONSOFHISOWNLIFEEXPERIENCE．HISEARLYWORKS，CHARACTERIZEDWITHADISTINCTIVEINDIVIDUALISTICSTYLE，EXPLOREDTHEMOSTESSENTIALCOMPONENTSINHUMANNATURE，WHICHWERERARELYMENTIONED，BUTWOULDNEVERBEFORGOTTEN．WITHHISCONSTANTREFORMANDINNOVATIONS，ASWELLASTHECONTINUOUSPURSUITWITHEFFORTS，HEGOTRIDOFTHEBONDAGESANDBROUGHTADRAMATICLEAPINCHINESETRADITIONALPAINTING．DURINGTHETIMEWHENSOCIALREALISMPAINTINGSPREDOMINATEDTHEMAINSTREAMCULTURE，ZENG’SWORKSNOTONLYBROUGHTPEOPLEWITHFRESHPERCEPTIONS，BUTALSOENCOURAGEPEOPLETOSTOPTOPONDERTHELIFE．HECREATEDANEWPAINTINGSTYLE．THESTUDYAIMEDTOANALYZEHISENTIREPAINTINGPROCESSANDINSEARCHOFNEWUNDERSTANDINGOFHISPAINTINGSBASEDONTHEUNIQUEEXPRESSIONISTPAINTINGLANGUAGE．USINGTHEIMAGE，PSYCHOLOGY，LANGUAGEANALYSISANDOTHERPARTICULARMETHODS，THEPRESENTSTUDYWASDESIGNEDTOINTERPRETTHEFEATURESINZENG。SPAINTINGS．OURPAPERWOULDNOTONLYHELPREADERSTOFINDZENG’UNIQUEPAINTINGSTYLE，THEINHERENTNATUREOFTHISGENIUSPAINTER’SIMAGINATIONANDESSENCEOFTHEARTWORKS，BUTALSOWOULDPROVIDEUSWITHINSPIRATIONINTHECREATIONOFPAINTINGANDGUIDANCEFORPRACTICALWORKSKEYWORDSFANZHIZENGEXPRESSIONISMPAINTINGCHARACTERISTICVALUEINSPIRATION

簡介：原創(chuàng)性聲明本人鄭重聲明所呈交的學(xué)位論文是本人在導(dǎo)師的指導(dǎo)下獨(dú)立進(jìn)行研究工作所取得的成果，論文中有關(guān)資料和數(shù)據(jù)是實(shí)事求是的。除文中已經(jīng)注明引用的內(nèi)容外，本論文不含任何其他個人或集體已經(jīng)發(fā)表或撰寫過的研究成果。對本文的研究做出重要貢獻(xiàn)的個人和集體，均已在文中以明確方式標(biāo)明。若有不實(shí)之處，本人愿意承擔(dān)相關(guān)法律責(zé)任。學(xué)位論文作者簽名日期■汐I(xiàn)腳7L月IJ“R學(xué)位論文版權(quán)使用授權(quán)書學(xué)位論文作者完全了解北京服裝學(xué)院有關(guān)保留和使用學(xué)位論文的規(guī)定，即研究生在校攻讀學(xué)位期間論文工作的知識產(chǎn)權(quán)單位屬北京服裝學(xué)院。學(xué)校有權(quán)保留并向國家有關(guān)部門或機(jī)構(gòu)送交論文的復(fù)印件和電子版，允許學(xué)位論文被查閱、借閱和復(fù)??；學(xué)?？梢詫W(xué)位論文的全部或部分內(nèi)容公開或編入有關(guān)數(shù)據(jù)庫進(jìn)行檢索，可以允許采用影印、縮印或其它復(fù)制手段保存、匯編學(xué)位論文。保密的學(xué)位論文在解密后適用本授權(quán)書。學(xué)位論文作者簽名導(dǎo)師簽名＼日期矽／二年，Z月FRR日期沙L砂年F乙月F廠RTHEMUSICALCHARACTERINLANDSCAPEARTABSTRACTARTWASNOTASINGLECLASSFROMTHEOUTSET，ANDITCOULDAPPEARMOREDIVERSEKINDSOFFORMSWITHTHEDEVELOPMENTOFTHEARTS．ACCORDINGTOTHEEXISTENCEOFTHEARTSTATE，THEARTFORMCANBEDIVIDEDINTOTHESPACEART，TIMEARTANDSPACETIME．ART．THELANDSCAPECONSISTSINSPACEART，ANDTHEMUSICARTISINCLUDEDINTHETIME．ART．ALTHOUGHBOTHOFTHEMSEEMINGLYBELONGINDIFFERENTCATEGORIESOFTHEARTS，THEYHAVEALLKINDSOFCONNECTIONSWITHEACHOTHER,WHICHIMPLYATEMPORALANDSPATIALRELATIONSHIP．THATIS，THEYARESUBJECTTOTHESPACETIMEART．THISARTICLEWILLEXPLORETHEUNDERLYINGMUSIC．ALNATURETHROUGHANALYZINGTHEMEANINGANDFEATURESOFDIFFERENTASPECTSOFLANDSCAPEART．TOEXPLAINTHEMUSICALCHARACTERINTHELANDSCAPEARTFROMTHREE_DIMENSIONALMUSICALPROPERTY，THEDYNAMICLANDSCAPEMUSICALPROPERTYANDMULTIDIMENSIONALLANDSCAPEARTMUSICALPROPERTY．MEANWHILE，ITALSOANALYZESTHERELATIONSHIPBETWEENLANDSCAPEARTANDMUSICARTTOREFINETHEMUSICALCHARACTERINLANDSCAPEART．THEREBYRAISETHATTHEMUSICALCHARACTERCANASSISTTHEDEVELOPMENTOFLANDSCAPEARTBETTER，ANDTHELANDSCAPEARTNEEDSTHEMUSICALNOURISHMENTANDINSPIRATIONTOSUBLIMATETHESPIRITOFLANDSCAPEART．KEYWORDSLANDSCAPEART；MUSICART；MUSICALCHARACTERII

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