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1、平面設計畢業(yè)論文有翻譯的設計論文海報招貼的平面設計我們都知道,做設計的基本是創(chuàng)意,創(chuàng)意的基本是特色,特色的基本是獨到,要想到獨特的創(chuàng)意并不是人人做的好,要做到每人都接受,我想那樣是不太可能的 。我認為,設計并沒有成功,同樣沒有失敗,,因為設計是活的,很多東西是矛盾的,并不可以憑個人做出準確的評價。 一個設計,關鍵部位的細節(jié)就要把誤差降到最低,否則差之百,失之千里。比如蘋果、西紅柿、桔子等在體量差不多,但實際上卻有很大不同,,這就要在處理
2、中抓住它們各自不同特征準確的描寫。 其實設計可以是很復雜也可以是很簡單,在某種意義上來說,設計是一種奇妙的搭配,如同調酒,我們經常無法預測設計的最終效果,正因為這樣,我們也會時常做出一些出乎意料的作品,設計是感性認識,如果只是畫,我們可以簡單的分析出優(yōu)劣,但是一個設計,可以發(fā)揮的想象太多,很難知道是作者刻意塑造或是你發(fā)現(xiàn)了一個奇妙的巧合。那到底設計是什么時候就出現(xiàn)的呢???讓我們一起來探索下吧! 中國是最早有貨幣的國家之一,自“夏”代就
3、開始,各樣的天然貨幣與人造貨幣相繼出現(xiàn),商、周……各類貨幣的設計足以向我們展現(xiàn)出那幾千年中高超而豐富、的設計水平。許多定型化的貨幣設計樣式一直影響到后來中華紋飾的發(fā)展與文化的形成。然而,這些豐富而復雜的設計沒有一件可與后來的銅錢設計相比。秦代的銅錢,選擇了最為簡潔的里方外圓之圖形,完成了最完善的使用功能與最廣博的教化功能。可以好不猶豫的說,對于圓形與方形的掌握,是人類最初對抽象圖形認識的最重要的升華階段之一,是由點、畫這種基本筆畫上升到
4、由壁畫構成的基本徒刑(由線性發(fā)展的平面)認識的標志。在中國原始社會的彩陶紋樣中,基本的紋樣除了點、畫曲線之外,陷于規(guī)整的便有三角形、方形與圓形紋樣。這些紋樣通過巧妙的組合,形成了豐富的紋飾。然而,要將方和圓作為設計元素與設計思想來運用和表達,還有賴與更進一步的對抽象設計元素的領悟與把握。當人們明白了“不以規(guī)矩不能成方圓”的道理,明白了“圓使動、方使靜”的規(guī)律,甚至能以“天圓地方”、“方正圓滑”等文化觀念與感受模式來量度“方”和“圓”時,
5、這樣的設計才顯出了無比的高妙來。錢是要使用與流通的,全世界后來所有的硬幣幾乎都歸結到圓形的設計上,而只有中華民族選擇了有方孔的圓形作為硬幣的終極樣式。以繩索貫穿著的錢幣,自然便于計數(shù)與攜帶,而作為鉆孔術來講,鑄造方孔要比鉆圓孔容易得多。中國錢的這一設計,自然有著無比豐富的文化要求,而使得它要“舍易求難“了。 正是由于這種“舍易求難“的工藝設計,銅錢的設計也自然在使用功能與文化親和能力上才具有了更多發(fā)展的可能,穿孔的錢更利于攜帶與計數(shù)。而
6、方形的孔與圓形的錢又可同時更多容納與圖形有關的其它社會文化觀念,例如流通與穩(wěn)定這種錢的基本功能、圓滑與方正這類人的社會品格、周邊與中心這類位置觀念正是如此,才會出現(xiàn)了“孔方兄“這樣的錢之稱謂,使得錢也隨孔夫子般地姓起“孔“來,適應了儒家倡導的文化精神。隨之,中國的財神爺才有可能得了個“公明元帥“的名字。而“錢方正,財神公明“這類的聯(lián)語才可以從更廣的文化觀念上寄托著人們的希望,造就著人們的品格。 如果我們再進一步考察中國老百姓對許多日常用
7、具的設計,我們也會發(fā)現(xiàn)不少“舍易求難“而“以應方圓“(規(guī)矩)之處。中國人須臾不離的筷子,老百姓生產生活最常用的籮筐簸箕之類用具,大抵作成一頭圓一頭方的形狀,都是最常見的例子,也都是在設計制造上舍易求難的典型,否則,那些被“改造“了的現(xiàn)代方便筐、衛(wèi)生筷之類就不會may not depend on personally makes the accurate appraisal. One design, essential spot deta
8、il must fall error to is lowest, otherwise hundred difference, loses the great distance. For instance the apple, the tomato, the orange and so on is similar in the amount of space occupied, but in fact actually has is ve
9、ry greatly different, this must hold their each one different characteristic accurate description in processing. Actually designs may be very complex also may be very simple, said in some kind of significance, the design
10、 is one kind of marvelous match, if the coherence liquor, we frequently are unable to forecast the design the final effect, because of like this, we also can often make some unexpectedly work, the design is the perceptio
11、n knows, if only is the picture, we may the simple minute separate out the fit and unfit quality, but one design, may display the imagination are too many, is very difficult to know was the author sedulously portrays per
12、haps you discovers one marvelous coincidence. That design when appears? Lets under our together exploration! China is most early has one currency country, the generation starts from “ the summer “, all kinds natural curr
13、ency and the man-made currency one after another appears, business, week... Each kind of currency design sufficiently unfolds in that several thousand years is excellent and is rich, the design level to us. Many stereoty
14、pia currencies design style always affected afterwards the Chinese decorative design in a utensil development and the cultural formation. However, these rich and complex design one had not been possible to compare with a
15、fterwards the copper cash design. Qin Dai copper cash, chose graph the most succinct inside side outer annulus, completed the most perfect use function and the vastest enlightened function. May good no say, regarding the
16、 circular and square shape grasp, be the humanity at first to one abstract graph understanding most important sublimation stage, is from the spot, picture this kind of basic stroke rises to by the mural constitution basi
17、c imprisonment the symbol which (by linear development plane) knows. In in the Chinese primitive society painted pottery grain type, the basic grain type except besides the spot, the plot curve, sinks into neat then has
18、the triangle, the square shape and the circular grain type. These grain types through the ingenious combination, formed the rich decorative design in a utensil. However, must and 圓作 for designs side element and design th
19、ought utilizes and expression, but also depends on with further to the abstract design element comprehension and the assurance. When the people understood “ could not become the surrounding area by the custom “ the truth
20、, understood “ the circle caused to move, the side caused static “ the rule, even could by “ the day round place “, “ upright be smooth “ when and so on the cultural idea and the feeling pattern measured “ the side “ and
21、 “ the circle “, such design only then appears incomparably cleverly comes. The money is must use and circulate, world afterwards all coins nearly all summed up to in the circular design, but only had the Chinese nation
22、chooses has the square edged orifice the circular takes the coin the ultimate style. Passes through the money by the rope, naturally is advantageous for counts with carries, but says as the drill hole technique, casting
23、square edged orifice must drill is much easier than. The Chinese money this design, naturally has the incomparably rich cultural request, but caused it to want the “ shed to be easy to ask difficult “. Is precisely becau
24、se this kind of “ shed is easy to ask difficult “ technological design, the copper cash design also nature kissed in the use function and the culture with the ability in the ability has the more development possibility,
25、the perforation money favor carries with counts. But square shape hole and the circular money may simultaneously hold again with the graph related other society culture ideas, for example the circulation with stabilized
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