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1、 The imagination of urchin and the Power game —— ——The culture interpretation of SM phenomenon in WangXiaobo’s works Name: Jiang Qiaohua Tutor: You Jiazhong Speciality: Comparative Literature and World Literat
2、ure Research direction: Comparative Literature Grade: 2007 Abstract Wang Xiaobo, with a regret of his death at his prime of life, is a special writer of today. His creation of literature bequeaths us happiness, feel
3、ing of freedom, and endless reflection of some important topics. This paper is to focus on the description of SM, referring to the texts of his latter works. Concretely, through a process of tracing back of the SM, con
4、ceptualizing and attributes, etc. the author parses the SM in Wang Xiaobo’s works culturally and deeply as to reveal the profound significance and aesthetic value. The paper composes in five parts: introduction, body wit
5、h three subsets, and conclusion. Introduction Brevity of the relation between Wang Xiaobo and SM, the research status of Wang Xiaobo today, and the intention of the paper is included in the first part. ChapterⅠ Giving
6、a glimpse of SM in the origination, conceptualizing, and attributes, uncovering the fact of concealing and demonizing of SM in Chinese literature today, the author reveals that SM complex is a common phenomenon in the wo
7、rld literature. CharpterⅡ Analyzing description of SM in Wang Xiaobo’s novel, through three aspects: SM personally, SM socially, the author elucidates the trait of SM in Wang Xiaobo’s creation. CharpterⅢ Referring to F
8、oucault’s Power Theory and Sex Theory, as well as the theory of SM Subculture, scrutinizing SM in Wang Xiaobo’s novel, the author reveals the motif of Wang Xiaobo’s inclination to description of SM critically inside of t
9、he society and culture. Conclusion Beyond the superficiality of description of SM, Wang Xiaobo’s writing critically points to the historicity and power itself, which makes eligible his works for unusual cultural critica
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