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1、 4.1.1 對(duì)男性創(chuàng)作者建構(gòu)下的 “精英女性” 形象意義的解讀…………………25 4.1.2 對(duì)女性創(chuàng)作者建構(gòu)下的 “精英女性” 形象的評(píng)價(jià)………………………25 4.2 對(duì)現(xiàn)代職場(chǎng)劇中的 “精英女性” 形象建構(gòu)價(jià)值的追問(wèn)…………………26 4.3 對(duì)男、女兩性創(chuàng)作者重構(gòu)“精英女性”形象的啟示……………………27 4.3.1 理論啟示…………………………………………………………………27 4.3.2
2、現(xiàn)實(shí)啟示…………………………………………………………………27 結(jié)論…………………………………………………………………………………29 參考文獻(xiàn)……………………………………………………………………………30 致謝…………………………………………………………………………………33 Abstract Along with our country the development of society, information techno
3、logy, electronic media visual culture occupies a dominant position in life slowly, and with the continuous improvement of women's social status, play an influential group of women in various fields more and more impo
4、rtant, in the contemporary film and television drama is shaped by the various types of female image became the new favorite of characters of film and television the screenwriters, they with all sorts of attitude is activ
5、e on the screen, enter the field of the audience. , the rising popularity of the modern workplace play is set in the modern workplace culture, reflects the modern career women living condition and mental state, in which
6、the contemporary inspirational dramas such as “struggle“, “du la la“ and so on series not only successfully created some different types and let a person remember the working knowledge of female image, the heroine even b
7、ecame the object of contemporary female desire and imitate, lifted the racket, the upsurge of such series. And this kind of “elite women“ image in contemporary image sense is belongs to be the “other“ the representative
8、of the image. A large number of other being constructed his image is not the same as the real life the real condition of the “elite“, they were TV writers according to their aesthetic psychology and created its own subje
9、ctive initiative. In this context, all kinds of film and television drama to construct a series of “elite women“ image, the image is more or less have “known“ characteristics “feeling“ of “yi“. As to interpret its build
10、reason, this article mainly from the historical trend of women cannot get rid of his position; Male writers with female writers aesthetic concept and the concept of traditional moral culture difference; General public co
11、nsumption culture vision and looking forward to the influence of three aspects analysis. Contemporary workplace drama build various “female elite“ image color more or less with the patriarchal culture, and hence its cons
12、truction in the male voice seems to be the “elite women“ image construction to become “the second sex“ and “the other“ the fate of their aesthetic object is still the “l(fā)ook“. Warning on vast media culture phenomenon that
13、 the researchers should put down the male social workers, cultural theory reduced female stereotypes, and work together, try to write a new chapter for the harmonious era of equality of men and women. Key words: workplac
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