莫扎特雙簧管c大調(diào)協(xié)奏曲的演奏分析

1、西安音樂學(xué)院碩士學(xué)位論文莫扎特《雙簧管C大調(diào)協(xié)奏曲》的演奏分析姓名：關(guān)琪申請學(xué)位級別：碩士專業(yè)：雙簧管演奏指導(dǎo)教師：趙保平2011西安音樂學(xué)院碩士論文 Abstract IIAbstract Abstract Oboe is an instrument comes with vast history which now still

2、in the developing stage in our country. However, it has already owned more than three hundred years of history in the western cultural. Because of the complex of the process of making the instrument and also comes along

3、with the high demanding of its ability of performance, therefore it unlikely to other instruments that be well-known in a more common sensed level for large group of people. Also, the short of professional oboe teaching

4、materials and documents caused inefficiency and difficulty for many oboe players on achieving to the level that expected. Here I would like to take the Mozart Oboe Concerto C major as the example for discussing some of t

5、he performance techniques and the interpretation from early classical music period and also I will present each typical passage with full-clear explanation of performance interpretation. Relevantly, As the most well-know

6、n famous composers Mozart, Haydn and Beethoven people quotes them as ‘the Vienna Classical Music composers’ Although Mozart's life is full of frustrations and hardships, but his own music has always convey the real b

7、eauty. The huge range of the output contains vast field of forms of music and as well as characterized styles so each of his compositions can almost be considered as the representative figure because of his specialty. I