散文化敘事與沈從文小說的藝術(shù)特征

1、 分類號： l206.6 密級： UDC： 82 學(xué)校代碼：11065 碩士學(xué)位論文 散文化敘事與沈從文小說的藝術(shù)特征 散文化敘事與沈從文小說的藝術(shù)特征 沈君麗 指 導(dǎo) 教 師 姜振昌 學(xué)科專業(yè)名稱 中國現(xiàn)當(dāng)代文學(xué) 論文答辯日期 2017 年 5

2、月 20 日 Abstract The narrative prosification begins from Lu Xun, then it be developed by Yu Dafu and Fei Ming ,and it gradually be mature until Shen Congwen. Such as Romote City and Long River, they are representatives of

3、 Shen Congwen’s novels which use the narrative prosification. Not only does they show the loose structure,short plots, blank characters and implicit expression,but also the novel’s narrative structure, narrative content

4、and narrative perspective become more mature. On the narrative structure, narrative texts reject the causal of traditional novel , and replace them by spatial structure. Meanwhile the open structure replaces single close

5、d structure; On the narrative content, novel theme is no longer clear,it highlight its abstract; The center of the plots and characters’ position begin to disappear, compact and complete plots do not be presented, storie

6、s become the link of texts. At the same time, compared to traditional characters in the novel, characters which created by the narrative prosification become simplified .Their images be blear, and the implication becomes