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1、1Chapter1OldEnglishLiteratureBeowulf評(píng)論Chapter2dleEnglishLiteratureBalladBalladsareanonymousnarrativepoemsdesignedfsingingalreflectioncomposedinusuallyfourlinestanza.Thesecondfourthlineshavingthreefeeteachrhymesfallingont

2、hesecondfourthlines.Thethemesofballadsarevariousinkindfromwarbloodshedsuperstationtodomesticlifeparticularlywiththerelationsbetweendifferentmembersofafamilybetweenlovers.DramaMiracleplaysmalityPiersPlowman農(nóng)夫皮爾斯農(nóng)夫皮爾斯Geoff

3、reyChaucer杰弗里杰弗里喬叟喬叟GeoffreyChaucerwasthegreatestEnglishpoetofthedleAges.TheCanterburyTales①Eachtaletoldishoweveravividexplationofthepersonalityofthespeaker②TheGeneralProloguealsoprovidesanoftenamusingreflectionofpilgrim

4、’sacters.③Intermsoftheseparatetaleeachbelongstoanestablishedmode.Butinsuchavigousmannersooftenfocusonhumanweaknessthatweareleftwithanoverwhelmingimpressionofthegapbetweenpoliteliteraryfmstherudeuntidinessofeverydaylife.④

5、Chaucerseemstopresenttheweaknesswithacomictoleranttone.⑤InspiteofthevariousfailingswhatemergesinthepoemoverallisaratherreassuringessentiallypositivepictureofthelatedleAges.Chapter3LiteratureofRenaissanceRefmation(1510162

6、0)PoetryEdmundSpenserTheFaerieQueeheFaerieQueeneisElizabethGliana.ProseThomasMe’sUtopia.FrancisBacon’sOfStudiesDramaChristopherMarlowe三部巨星的隕落TamburlainetheGreatDoctFaustusTheJewofMaltaWilliamShakespeare四大悲劇四大悲劇HamletOthe

7、lloKingLearMacbeth四大喜劇四大喜劇TheMerchantofVenice(威尼斯商人威尼斯商人)TwelfthNight(第十二夜)(第十二夜)AsummerNight’sDream(仲(仲夏夜之夢(mèng))夏夜之夢(mèng))AsYouLikeit(皆大歡喜)(皆大歡喜).Son選段Chapter4LiteratureofRevolutionRestation(162090)Puritanism清教主義:清教主義:wasthereli

8、giousdoctrineoftherevolutionarybourgeoisduringtheEnglishRevolution.Itreachedthriftsobrietyhardwkbutwithnoextravagantenjoymentofthefruit.四約翰四約翰Poetry:JohnDone(玄學(xué)派Metaphysical)JohnMilton(Prose:ParadiseLost)Prose:JohnBunyan

9、(ThePilgrim’sProgress)JohnDrydenChapter5TheEighteenthCenturyLiterature(16901780)NeoClassicismTheEnlightenmentMovementwasaprogressiveintellectualmovementwhichflourishedinFrancesweptthroughthewholeWesternEuropeatthetime.Th

10、emovementwasafurtheranceofRenaissanceofthefifteenthsixteenthcenturies.新古典主義的代表人物新古典主義的代表人物AlexerPope(Poetry)33.NovelJohnGalswthy(TheFsyteSaga)DavidHerbertLawrence(SonsLovers)Streamofconsciousnessisatermusedtorefertoparti

11、culartechniqueofpresentationwhichanumberofModernistnovelistsdeveloped.Itreferstotheflowofimpressionsperceptionsthoughtswhichstreamunbiddenthroughourminds.JamesJoyce(Ulysses)Chapter9EnglishLiteratureSince19451.DramaSamuel

12、BeckettcalledTheatreoftheAbsurd(WaitingfGodot等待戈多等待戈多)2.NovelDisLessing(TheGoldenNotebook)07年獲諾獎(jiǎng)。年獲諾獎(jiǎng)??荚囶}型1.名詞解釋:批判現(xiàn)實(shí)主義、唯美主義、頭韻、戲劇獨(dú)白、文藝復(fù)興、喜劇、Tragicflow、啟蒙運(yùn)動(dòng)。(考5個(gè)15分)CriticalRealism:flourishedintheftiesintheearlyfifties(t

13、ime)ofwhichthecriticalrealistsdescribedwithmuchvividnessgreatartisticskillthechieftraitsoftheEnglishsociety(subjects)criticizedthecapitalistsystemfromademocraticviewpointrefundsympathyfthecommonpeople(theme).Aestheticism

14、:artwasnotsupposedtoutilitarianusefulinanypracticalsenseregardsbeautyasanendinitselfattemptstopreservetheartfmsubdinationtodidacticpoliticalpurpose.Alliteration:alliterationreferstotherepetitionofaparticularsoundinthefir

15、stsyllablesofaseriesofwdsphrases.Dramaticmonologue:afminwhichagivenspeakeraddressalisteneralistenerbothimpliedbythepoemwhoisbyextensionthereader.Renaissance:TheEnglishRenaissancewasaculturalartisticmovementinEngldatingfr

16、omthelate15thearly16thcenturiestotheearly17thedy:asapopularmeaningisanyhumousdiscoursewkgenerallyintendedtoamusebycreatinglaughter.Tragicflaw:TheEnlightenmentMovementwasaprogressiveintellectualmovementwhichflourishedinFr

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