P.E.巴赫早晚期奏鳴曲創(chuàng)作風(fēng)格的比較研究——以《符騰堡奏鳴曲》(Wq.49)和《為行家與愛好者而作》(Wq.55-61)為例_5580.pdf

1、分類號(hào)：J657密級(jí)：不保密UDCUDC：785.7學(xué)校代碼：11065碩士學(xué)位論文C.P.E.C.P.E.巴赫巴赫早晚期奏鳴曲創(chuàng)作風(fēng)格的比較早晚期奏鳴曲創(chuàng)作風(fēng)格的比較研究研究————以《以《符騰堡奏鳴曲符騰堡奏鳴曲》（Wq.49Wq.49）和《和《為行家與愛好者而作為行家與愛好者而作》（Wq.5561Wq.5561）為例）為例王檬指導(dǎo)教師于青教授學(xué)科專業(yè)名稱音樂與舞蹈學(xué)論文提交日期2016年5月16日論文答辯日期2016年6月2日答辯

2、委員會(huì)主席康建東關(guān)鍵詞：關(guān)鍵詞：C.P.E.巴赫；風(fēng)格；巴羅克時(shí)期；古典時(shí)期；情感風(fēng)格AbstractCarlPhilipEmmaselBachCarlPhilippEmanuelBach17141788)baroquetransitiontheneoclassicalperiodisimptantfGermancomposer.AtthesametimehealsopromotedtheGermanyAustrianmusicdeve

3、lopmentintheregionGermanyAustrianmusicinthe18thcenturyEuropeanmusicbecamethetopofthewldmusic.AsJohannSebastianBachssonhisrespectfhisfatherscreationconceptonthebasisofitscreation.C.P.E.Bachasamusicianmusictheistheisalsoon

4、eofthefoundersofthe“EmpfindsamkeitStil“.“EmpfindsamkeitSti“wasanewaestheticpointofview“theemotionalstyleofwritingisnotlikeinoperatodepictthespecificactersofemotionpersonalityfthepurpose.Itsstartingpointisthatperfmancecon

5、veythefeelingofthecreathimselfespeciallyfsuddenchangeableemotionptrayedinanobjectivemannerusingthisstyleofcomposersaretogetakindofprofoundlysensitivesubjectiveexpressionC.P.E.Bachsmostcreativebelongtothisstyle.C.P.E.Bach

6、isthemostimptantcontributiontotheevolutionofasonatafm.HecomposedalargenumberofkeyboardwkseitherincontentinfmflatertheclassicalperiodofHaydnMozartBeethovenscreationprovidesavaluablereferencereference.Inthispaperthetextisd

7、ividedintotwoparts：ThefirstpartmainlyintroducedtheC.P.E.Bachslifehiserabackgroundfamilybackgroundexplainstheigindevelopmentofemotionalstyle.Thesecondpartmainlyontwosetsofearlytolatewkhascarriedonthedetailedanalysisacompa