“神話”與“志怪”-韓少功的兩類書寫_12020.pdf

1、目錄中文摘要一1英文摘要2導(dǎo)言：對若干概念的討論4一、“神話““集體無意識”“原型”4二、楚騷文化5三、“志怪”“個(gè)人無意識”“情結(jié)”7第一章韓少功的“神話“書寫9第一節(jié)“金枝”模式9第二節(jié)“智障通神”模式12第三節(jié)從“神話”到“巫術(shù)”16本章小結(jié)20第二章韓少功的“志怪”書寫22第一節(jié)個(gè)性之“怪”23第二節(jié)心理之“怪”27第三節(jié)怪誕的“當(dāng)代記憶”31本章小結(jié)35第三章意識到的無意識36第一節(jié)在作家理性審視下的非理性36第二節(jié)在意識與無

2、意識之間的語言40本章小結(jié)44結(jié)語45參考文獻(xiàn)46致謝50發(fā)表論文51揚(yáng)州大學(xué)學(xué)位論文原創(chuàng)性聲明和版權(quán)使用授權(quán)書522揚(yáng)州大學(xué)碩士學(xué)位論文AbstractHanshaogongisacontemporaryliteraryworldrecognizedoneofthemostanticipatedwritersBasedonhanshaogong’Sworksastheresearchobject，thispaperisdividedi

3、ntothreechapters，mainlyfromtheworksof”myth”and”mystery”writing，miningthecollectiveunconsciousnesshiddenbehindthesewritingandpersonalunconsciousmind，underthedominationofthesetwokindsofpsychologicalfactors，groupsandindivid

4、ualsseeminglyirrationalpsychologicalspeechandactsinfactaboutthewholenation’ScultureHanshaogong’Swritingeverywhereshowinzgawiseandrational，whichtounconsciouslywritinglightreflectedtheauthorapproachcomplexwayofthinking，isa

5、lsotheauthoroflanguageexpressionsystemofameaningfulexplorationThefirstchapterfromthehanshaogongnovelstothe”myth”ofthestoryaboutchunationandwitchcraftculture，byanalyzingthephenomenontoexplorethereasonofthiskindofphenomeno

6、ndescription，atthesametimerevealsthe”myth”storiesAndrchunationandwitchcraftcultureelicsandthedeepconnectionofthecollectiveunconsciousThisstoryhandeddownfromgenerationtogenerationandexperienceiscollectiveunconsciousinplay

7、sarole，thepoweroftherefusedtoknowledgeandreasonareoftenmorepowerfulthanweestimatedSecondchapterembarksfromtheoddityinhanshaogonglotsofwritinglife，anexternalcharacteranalysisandtheanalysisoftheinnerspirit，thesepeople’Sstr

8、angebehaviorsarecharacterizedwiththebrandofTheTimes，alseflectsthegeneration’SwayoflifeandsurvivalstatusThisunconsciouspsychologicalaccumulationdominatebehaviorintheirownlives，lettheyunconsciouslybecametheeyesofothers“fre

9、ak”Thethirdchapterembarksfromtheauthorsubject，hanshaogong’Srationalandwisdominliterarycirclesthereforalltosee，butinhisworksandinvolvesmanysubjectsandirrationalexpressions，thischaptermainlycombsthecontradictionbetweenther

10、ationalandirrationalandpreliminarydiscussiononthecauseofthewritingandartisticfeaturesInaddition，thewriterinwritingconsciousnessandtheunconsciousthecomplexrelationshipsofinteractionwitheachotherinthelanguagelevelofuniquee