當(dāng)代全景寫意花鳥畫置景的嬗變_5855.pdf

1、目錄摘要...................................................................................................................................IAbstract............................................................................

2、...............................................III緒論..................................................................................................................................1第1章在歷史變遷中全景寫意花鳥畫的境遇..................

3、............................................61.1當(dāng)代之前全景花鳥畫概述.....................................................................................61.1.1全景花鳥畫的形成及其演變發(fā)展........................................................

4、..........61.2當(dāng)代之前全景花鳥畫置景特征概說.....................................................................71.2.1五代全景花鳥畫置景樣式.............................................................................91.2.2兩宋全景花鳥畫置景樣式...........

5、.................................................................101.2.3元明清全景花鳥畫置景樣式........................................................................121.3當(dāng)代開放的意識(shí)形態(tài)對(duì)全景寫意花鳥畫產(chǎn)生的影響.....................................

6、..151.3.1社會(huì)地位的變化............................................................................................151.3.2西畫思想的融入............................................................................................15第2章當(dāng)

7、代全景寫意花鳥畫位置經(jīng)營與取景的嬗變................................................172.1潘天壽全景寫意花鳥畫置景的革新...................................................................172.1.1開創(chuàng)全景寫意花鳥畫的嶄新面目..............................................

8、..................172.1.2方闊穩(wěn)定的置景畫面....................................................................................182.1.3自然“野味”的全景寫意花鳥畫題材.............................................................212.2郭味蕖全景寫意花鳥畫置景的

9、推陳出新...........................................................232.2.1“花鳥”與“山水”相結(jié)合的探索及其構(gòu)圖的突破.........................................232.2.2“杜鵑花”的運(yùn)用及表現(xiàn)和平主題的全景寫意花鳥畫題材..........................262.3王晉元全景寫意花鳥畫圖式經(jīng)營的創(chuàng)新.......

10、....................................................272.3.1云南特殊地域環(huán)境為其新畫風(fēng)提供創(chuàng)作源泉............................................282.3.2全景式寫意花鳥畫圖式經(jīng)營的確立............................................................282.3.3熱帶雨林題材在其全

11、景寫意花鳥畫中的運(yùn)用............................................322.4當(dāng)代全景寫意花鳥畫經(jīng)營位置與取材的總體特征...........................................34第3章以全國美展為代表的全景寫意花鳥畫置景嬗變的呈現(xiàn)................................353.1代表性人物在全景式寫意花鳥畫置景上的嬗變............