中國現(xiàn)當(dāng)代影視的審美現(xiàn)象.pdf

1、Y3姐072i：分類號：J9論文編號：1074203040503079密級：公開西北民族大學(xué)研究生學(xué)位論文論文題目(中文)蟲國現(xiàn)當(dāng)岱髭援?dāng)?shù)塑差理象論文題目(外文)～AestheticsincurrentChinesemovies培養(yǎng)單位蘧適壹塞絲堂瞳學(xué)號艘墨星!!QQ塑研究生姓名途題遴學(xué)科專業(yè)洼堂生墾塵魏醫(yī)旌苧鲞研究方向塵數(shù)茜旌髭趣莖苤學(xué)位級別亟堂焦導(dǎo)師姓名、職稱丞癟莖旦熬塑論文工作起止年月至Q壘墾璽璺旦至窒壘壘曼生璺且論文提交日期量魚

2、Q曼笙且一論文答辯日期星魚Q魚望墨旦學(xué)位授予日期2QQ魚生魚旦校址：甘肅省蘭州市西北新村1號AestheticsincurrentChinesemovl。esAbstractTheaestheticsofthemoviesjsregardedasanabsolutewindvanetothemarketItplaysadecisiveroleintheboxofficeofthemovie，althoughtheinfluenceofw

3、hichcouldnotbeexaggeratedtobeabsoluteNomatterfortheHollywoodmovieswhichoccupiesmostoftheworldmarketorthemoviesflomdifferentnationstheyallhavetheiruniquefeatures；becausetheeconomicglobalizationhastofacetherealitythatpeopl

4、efromdifferentnationscouldsharethebasicaestheticelementsThisessaywillmainlydiscusstheaestheticfeaturesofcurrentChinesemoviesandhaveseriousIntrospectionsonthecurrentsituationofChinesemoviesindustryTherewillalsobesomeperso

5、nalideasaboutthedevelopmentoftheChinesemovieindustryPart0neThebeautyofcontent：deepthinkingandhumanityThefirst，theembodimentofthethoughtof‘‘deepthinkingandeducatingpeople”symbolizesthebeautyofthecontentMoviesarefullofdeep

6、thinkingandeducativeloges，suchasLuchuan’sKE＆Ex億1andZhangyimou’sHERosThesecondthebeautyofthecontentalso1iesinthebeautyofloreFrom1950s，門砸GOLDENFLOWERSLIUSANJIEASHIMA，theydescribedlovestoryintheirsongs111esongsandlovestorie

7、sgeteternallifeThethirdpartofthebeautyofthecontentisthebeautyofhumanityTheChinesemoviesaregraduallygettingintouchwiththemoderninternationalmovieindustTyTobeinternationaldoesnotmeantogiveupitsowncharacteristicsbuttobeapar

8、tofthemodeminternationalmovieindustTyFengxiaonin91sthreeepisodesonwarsincludehumanequestioningofhumanityForthewesterners，itsurelyhaspositiveinfluenceontheunderstandingoftheeasternpeople’sfeaturesandwaysofthinkingPartTwoT

9、hebeautyoftheforul：rhythm，sketchesandcolors1■efirstisthebeautyofoverallrhythmsATALEOFSACREDMOUNTIANwhichisregardedasoneofthebestmovie，reflectingthelifeoftheTibetansThemovietellsastoryofhowtheTibetansfightagainsttheforeig

10、ninvadersnledirectorusesthecameralikeusinghisfingers，thevisualsensetotheaudienceissostrong，andthevisualthinkingisnotbrokenThemovieisjustlikerunningwaterMovieisavisualartItisimportanttodrawoutshapesandcolorsZhangyimou，who

11、belongstothefifthgenerationdirectorofchina，isanoutstandingrepresentativeofChinesedirectorsHeusesthelenslanguagesouniquelyTheshapeandtheoriginalcolorsshowhisuniqueabilityofcapturingtheculturalsymbolsForexample，thepictures

12、inHeroesandRaisetheRedLanternaresobeautifulPartThreeProspectandIntrospectionsThelastpartofthispaperismainlyontheintrospectionofthecurrentChinesemovieindustryandtheprospectofitasthewriterseesitKeywords：Movie，Aesthetics，lo