詩(shī)含畫(huà)境畫(huà)滿詩(shī)情古代題畫(huà)詩(shī)研究.pdf

1、中南民族大學(xué)碩士學(xué)位論文詩(shī)含畫(huà)境畫(huà)滿詩(shī)情古代題畫(huà)詩(shī)研究姓名：成杰申請(qǐng)學(xué)位級(jí)別：碩士專(zhuān)業(yè)：文藝學(xué)指導(dǎo)教師：羅漫20040520iiABSTRACTTherehasbeenasystematicresearchonChineseancientpoemsmarkedwithpaintingsinthisthesis.Fromsomedifferentviewsofpoeticsestheticsamultilayeranalysishasbe

2、engivenonthisspecialtypeofpoeminwhichtherehasbeensomediscussionsonitsartisticactersidealisticculturemeaningasastofpoemsatypeofpainting.Thisthesisconsistsoffiveparts.Adefinitionofcategyonpoeminscribedonpaintinghasbeengive

3、ninthefirstchapterwhereanidea‘itscategycan’tbegraspedotherthanconsideredfromitscontent’hasbeendescribedsomefamiliartypesofliteratureofpoemsinscribedonpaintingshavebeengatheredup.Inthesecondchapteratexturalresearchaboutit

4、siginhasbeenheldon.thegrouppoems‘ScreenfPraisingPaintings’writtenbyYuXincanbeconsideredasthemostancientpoemsinscribedonpainting.Itsdevelopmenthistyhasbeenlookedback.Basedonconclusionaboutseveralpiecesoffamiliartopicstheh

5、isticalbackgroundculturaliginwheretheywerecreatedhavebeenclarifiedadifferenceinthefacetofdeionbetweenpoemsinscribedonthepaintingsthegeneralpoemhasbeengiveninthethirdchapter.Inthenextpartsomeartisticrepresentingmethodsoft

6、enusedhavebeenlistedtheirspecialartisticeffectonthepaintingshasbeenanalyzed.Theideaof‘theChinesetraditionalcultureleadedtoamalgamationofpoemspaintings‘hasbeenputfwardinthefinalchapter.Throughthediscussionofthepaintingscr

7、eatedbyliteratsasaperfectfmwherepoempaintingwerecombinedtheaestheticvaluecontainedinpoemsinscribedonpaintingshasbeenunearthed.Thereisaconclusionaboutitsenergeticeffectonthecreationoftraditionalpoemspaintings.Keywds:Poemm