國外涉華經(jīng)濟(jì)類紀(jì)錄片議題及現(xiàn)代化話語分析

1、 1 國外涉華經(jīng)濟(jì)類紀(jì)錄片議題及現(xiàn)代化話語分析 國外涉華經(jīng)濟(jì)類紀(jì)錄片議題及現(xiàn)代化話語分析 內(nèi)容摘要 近十年， 中國經(jīng)濟(jì)實(shí)現(xiàn)了突飛猛進(jìn)的增長。 中國經(jīng)濟(jì)發(fā)展?fàn)顩r引起國外媒體極大關(guān)注， 其中國外媒體也采用了紀(jì)錄片的方式向國外受眾再現(xiàn)了中國經(jīng)濟(jì)現(xiàn)代化發(fā)展現(xiàn)狀。在此背景下，國外涉華經(jīng)濟(jì)類紀(jì)錄片引起了我們的關(guān)注，這種關(guān)注主要體現(xiàn)為兩個(gè)層面的問題： 第一， 這些紀(jì)錄片關(guān)注了中國經(jīng)濟(jì)現(xiàn)代化發(fā)展的哪些方面？紀(jì)錄片通過這些關(guān)注點(diǎn)再現(xiàn)了一個(gè)怎樣的中國經(jīng)濟(jì)

2、現(xiàn)代化狀況？第二，這些紀(jì)錄片如何實(shí)現(xiàn)對中國經(jīng)濟(jì)現(xiàn)代化的話語建構(gòu)？ 本研究以 15 部國外涉華經(jīng)濟(jì)類紀(jì)錄片為研究對象，將“經(jīng)濟(jì)現(xiàn)代化”作為切入點(diǎn)， 采用內(nèi)容分析和話語分析方法對紀(jì)錄片議題和現(xiàn)代化話語進(jìn)行分析。 通過對議題編碼統(tǒng)計(jì)， 本研究發(fā)現(xiàn)國外涉華經(jīng)濟(jì)類紀(jì)錄片主要關(guān)注七種經(jīng)濟(jì)現(xiàn)代化議題：社會生產(chǎn)狀況；城市經(jīng)濟(jì)現(xiàn)代化；農(nóng)村經(jīng)濟(jì)現(xiàn)代化；勞動力狀況；經(jīng)濟(jì)發(fā)展政策；經(jīng)濟(jì)現(xiàn)代化中的問題與矛盾；經(jīng)濟(jì)現(xiàn)代化的國際影響。同時(shí)，國外紀(jì)錄片也是通過這七類議

3、題再現(xiàn)了中國經(jīng)濟(jì)現(xiàn)代化發(fā)展?fàn)顩r。 在話語分析部分， 本研究對紀(jì)錄片文本的話語結(jié)構(gòu)，話語系統(tǒng)、認(rèn)知和話語策略進(jìn)行了分析。紀(jì)錄片文本的話語結(jié)構(gòu)包括語法結(jié)構(gòu)和語義結(jié)構(gòu)兩個(gè)部分，通過對這兩個(gè)部分研究發(fā)現(xiàn)，國外涉華經(jīng)濟(jì)類紀(jì)錄片文本的話語結(jié)構(gòu)與新聞文本結(jié)構(gòu)十分相似。 國外涉華經(jīng)濟(jì)類紀(jì)錄片文本語法結(jié)構(gòu)包含五個(gè)基本范疇， 即總說、 故事群、 背景、 影響和評論。在紀(jì)錄片文本語義結(jié)構(gòu)研究部分， 本研究試圖探究紀(jì)錄片文本的微觀命題是如何逐步實(shí)現(xiàn)宏觀總命題建

4、構(gòu)的。 而對國外涉華經(jīng)濟(jì)類紀(jì)錄片話語系統(tǒng)研究有助于我們進(jìn)一步了解這些紀(jì)錄片為什么采用一些話語而舍棄另一些話語， 以及話語系統(tǒng)對話語策略的影響。 在建構(gòu)中國經(jīng)濟(jì)現(xiàn)代化現(xiàn)狀的話語實(shí)踐中， 紀(jì)錄片受到了 “資本主義現(xiàn)代化話語系統(tǒng)”和“實(shí)證主義話語系統(tǒng)”的制約和引導(dǎo)。通過對這 15部紀(jì)錄片文本的具體分析， 總結(jié)得出國外涉華經(jīng)濟(jì)類紀(jì)錄片主要采用了五種話語策略來實(shí)現(xiàn)對中國經(jīng)濟(jì)現(xiàn)代化的話語建構(gòu)， 這五種話語策略分別為 “核心概念” 、“數(shù)字化陳述模式

5、” 、 “貼標(biāo)簽” 、 “對比修辭” 和 “總分總的主題構(gòu)成” 話語策略。1 Abstract Decadely, the Chinese economy has achieved rapid growth, which attracts great attention to foreign media. Through making documentaries,foreign media has represented the sit

6、uation of the modernization of China’s economy. Under this context, foreign China-related economic documentaries arouse our attention, which is epitomized in two respects. One is which factors the documentaries have paye

7、d attention to? The other is how these documentaries achieve the discoursive construction of China's economic modernization? The dissertation takes fifteen foreign China-related economic documentaries as the object o

8、f the research and make the “economic modernization”as an entry point. In terms of research method,this essay adopts content analysis and discoursive analysis to study the issues and modernization discourse of these doc

9、umentaries. After analysing the statistics,the essay found that foreign China-related economic documentaries mainly focused on seven kinds of issues: Social Production; Urban Economic Modernization; Labor Conditions; Mod

10、ernization of Rural Economy; Economic Development Policy; the Problem and Contradiction of Economic Modernization; International Economic Modernization.In the meantime,by filming these issues,the foreign documentaries ha

11、s represented the process of China's economic modernization. In the part of discourse analysis,this essay studies the discourse structure of documentary text, the discourse system, the cognition and the discursive st

12、rategies.Discourse structure of documentary text includes syntax and semantic structures.Through analysing the two parts, we have found that the discourse structure of documentary involves five categoryies, which is simi

13、lar to the discourse structure of news.Moreover, in the part of studying semantic structure of documentaries, we attempt to explore how the micro-proposition of documentaries succeed in constructing the macro-proposition

14、.And the research on the discourse system of foreign China-related economic documentaries helps us to deeply understand Why these documentaries use some words and give up others. What’s more, the essay studies what influ

15、ence the discourse system has on the discourse strategies. In the process of discoursive construction of China’s economic modernization, the documentaries are controlled and lead by the “capitalistic modernization discou