試論水彩風(fēng)景畫(huà)獨(dú)特的意境營(yíng)造.pdf

1、內(nèi)蒙古師范大學(xué)碩士學(xué)位論文試論水彩風(fēng)景畫(huà)獨(dú)特的意境營(yíng)造姓名：云宇峰申請(qǐng)學(xué)位級(jí)別：碩士專(zhuān)業(yè)：美術(shù)學(xué)指導(dǎo)教師：云希望20070605ABSTRACTChinesemodemwatercolorlandscapepaintingisbasedoneasternandwesterncultureandtheartsystemItisfacingtheinfluenceofreferenceandfuseItadhibitChinesetradi

2、tional‘a(chǎn)rtisticconception’theorytodigandwidenthesubjectoflanguageofwatercolorlandscapepaintingAtthesametimeithelpsthewatercolortotendthenationalcultureandalongwiththemodemtimesAlongwiththewideningoftheformandlanguageofar

3、t，modemwatercolordevelopsomenewpaintingideasbesidesenjoiningthetraditionalcharacters。ItcomainsthesatisfactoryofpaintrealisticallyandabstractWiththedevelopmentandprogressoftimes，watercolorlandscapepaintinghasitsowncontemp

4、oraryandpeculiarityFirstofall，justlikeotherartforms，watercolorlandscapepaintingisbasedonemotionbutitalsohasitsowncharacter：IWatercolorisanartofemotion，SOitiseasiertoshowthelandscapeIIIthasitsowndistinctadvantageofmixingt

5、heartisticconstructandemotionupAndthen，the“water’‘‘color“‘form”allhavetheirmeaning，buttheyalsoworktogetherSecond，formisoneoftheimportantcharactersofpainting，itisthebodyoftheimageryandtheimageryisthesouloftheformThecharac

6、teroftheimageryofwatercolorlandscapepaintingcontainsthe“formfactor’‘‘humanfactor’’‘‘datafactor’andSOonArtistschoosethefactorsmeyneedtobuildtheirOWIIimageryThird，abstractlanguagecollectionnewmaterialandinstrumentalitybrin